I am an author. I am an actor.
I find myself having to repeat that several times a day. They're not the typical answers that you give when someone asks you what you do for a living. Especially not that second one.
But I filmed my first commercial on Sunday, with a cast of professionals, so that makes the second one official. Men and women who've taken Theatre Studies and worked for years on stage and on film; who've wandered far distances away from home experiencing life from the perspective of art and spirit; whom I felt a kinship with on a professional level, for the first time in a long time. And I have a credit to my name. That's one commercial more than what the vast majority of the rest of the population has done or will do in their lives. That doesn't make me better or superior, but it is something to be happy about.
This isn't all rainbows and sunshine, of course. I've left my regular day job with the government, and so I'm on the hunt for something to pay the bills in the interim. I've been here before, but unlike the past few years, I'm no longer going to cite my stop-gap job when someone asks me what I do. Make no mistake: I am an actor, and an author.
"Author". "Actor". Repeat as needed.
A great bit of advice I can give younger guys and gals who are reading this is to never stay in a place that robs you of your spirit and confidence, because that starts to eat away at the other parts of your life that are not the business of the office or your boss. That's what was happening to me. With distance and time, I'll have a better perspective on the real nature of the misfit between myself at that job, but I think it had more to do with the people than I might have assumed.
On my last day of work, I received no cards, no lunches, no special acknowledgements or send-offs of any sort. Instead, my now-former boss burst out of a meeting room with about an hour and a half left in my shift, put on her coat, grabbed her things, and rushed towards the exit. She stopped briefly at my desk, saying "Sorry, Jody, I'm in a hurry." Grabbed my hand in a quick handshake. "Best of luck to you! Bye!", and then breezed out the door. That was it. I didn't want a parade - this isn't a question of satisfying my ego - but it is not a classy way to end a working relationship, especially not one that lasted a little over a year in an office of only five to six people.
Micromanager wasn't much better. The convention in the modern workplace is that you can leave early from your last shift. Technically, the employer can't do much except dock you for those minutes you didn't work. It's not like they can fire you. It's one of those unwritten rules that you let the guy go home early on his last day. At least, that's how it is in good workplaces in the private sector, which is not where I was. When advising Micromanager that I had nothing else to do and was leaving early, she actually asked me, "Did you clear it with the boss?" Definitely one of those WTF moments. Coupled with a heads-up she gave me that she was "leaving a file on her desk for Monday", I wondered if it wasn't a case that she was deliberately obtuse, but rather that she might actually be off her gourd. Hello? Why would I care about the whereabouts of a file folder on Monday? I'm not going to be here on Monday.
That was the moment when it became clear to me that I wasn't batshit crazy or insane or otherwise stressed-out, that contrary to what my management had led me to believe, I wasn't doing a job I was unqualified for. I was not incompetent or an imbecile. The reality is that there is just never any way to satisfy the demands of people who have absolutely no interest in what you do, no self-awareness, and almost no sense of social decorum, except, of course, for people on the inside of their service branch, and who are, I'll repeat, just plain nuts. Try to be the only sane person in an asylum run by the inmates, and see how long it takes for them to convince you that you're nuts. You can clock it with an egg timer.
No, those two moments completely dissolved any regret and anxiety I felt about abandoning a lucrative day job with nothing comparable to fall back on. Not a smart move on paper, but the greater price was further damaging my sense of confidence and self-worth. No job is worth that. Such wounds can be permanent.
So, what to do after you've made the leap of faith? Keep flying. It's all about the hustle from here on in.
Finding a short-term stop gap job should be easy once I pare down my resume a tad. Right now, I could serve coffee and lug boxes again and be happy, as long as I have some days free to audition and write. For the first time in my life, I find myself overqualified for the jobs I want to work. It's a challenge, but it's also a good feeling.
I'm giving Convergence at least one more week in marination before I start editing. Unlike The Quotable Breakup, I'm looking to publish my novel in the traditional sense - lit agent, publisher, book tour - so I'd rather wait until I can give more attention to the manuscript.
And, of course, I'm still auditioning. Got another one tomorrow, in fact. At some point, I want to take a weekend retreat to study with acting coaches, but I'll need monies garnered from stop-gap wages before I can do that. Until then, at each audition, I'm relying on my own instincts.
I haven't been this tired, busy, or seen more of the great city of Toronto than in the past few weeks. That's the thing about reinventing the self: it's a lot more work, but it doesn't feel like work. When you're done for the day, it's a different, happier kind of tired. The kind you get when you come home from a wedding reception or a family picnic, or a long-expected party that's now finally come and gone. One that makes you feel good waking up the next day, knowing you're going to do more.
Creative career paths aren't for everyone, but neither is the corporate grind. And I'm not going to rule out never going back to that grind: life may yet lead me back to it, albeit richer for the experience of walking the path of the artist for a time. But I know and feel that what I'm doing now is right, even if the benefits aren't immediately evident, because I'm in the vibe, and when you're in the vibe, it doesn't matter what you do: wealth and joy will manifest when you need it.
I am an author. I am an actor. And I've never been happier. Time for sleep!
Showing posts with label Success. Show all posts
Showing posts with label Success. Show all posts
Wednesday, January 26, 2011
Friday, December 31, 2010
Worth Keeping
There's only one resolution ever worth keeping, New Year's or otherwise. It's the resolution to be authentic to yourself. Temet nosce, in the non-traditional Latin of The Matrix. "Know thyself".
Get to know who you really are. Decide who you want to be and go be it. Embrace the persons, places, and things that will lead you there; and rid yourself of the persons, places, and things that no longer serve you. A simple formula, even if only the tinest minority of the population actually goes through with it.
Every year that passes by represents, in the personal history of somebody somewhere, a time for taking out the trash and cleaning house. The places and things are easy enough, but when it comes to the persons, this is where most of these individuals in transition get hung up on the whole process. After all, nobody sets out to be an asshole, even when the people in question are really holding you back, intentionally or not.
This is where the inauthenticity kicks in. You get used to appeasing those who would put up a fight when you take risks, people who quietly judge and dismiss you, who are only tied to you through some shared history and with whom you create nothing new or valuable. Maybe you're conflict averse, afraid to get into a dust-up with those closest to you, for fear of losing them, even though you're legitimately pissed with decisions they've made. Because certain individuals haven't acted in a way that demonstrates friendship and loyalty to you. Maybe you've just made appeasement a habit.
In any relationship, even those with places and things, there's a point where you just get sick of self-censorship for the sake of being sociable and appearing upbeat, a good employee or happy-go-lucky buddy, where you're tired of playing Chamberlain to the unintentional aggressors around you in the false hope of a just peace. When you're just going to do what you want. Fuck the world.
Yes, in case you haven't already figured it out, I'm starting the last day of 2010 in something of a foul mood. But as always, this is mostly just me taking out the trash in the best way I know how: the written word. And I may as well vent it out before I party down tonight.
One of my mentors once pointed out the importance of noticing the symbolism of your outer life. Handing in the Form N9 the other day to my landlord, I took a moment to appreciate the number of my apartment building on my street: 360. A full turnaround, where you end by returning to the beginning. I prefer to think of life's cycles as an upward spiral: you eventually come back to where you started, but at least one level higher up in three dimensional space. Life cycles involve continuous growth, though at each stage of that cycle, you shed the dead cells and let them fall away.
Michael pointed out to me the other day that in at least several entries now, I've said some variation of the phrase "I could give a damn what people think". Of course, that sends the exact opposite message, especially when you repeat it across several entries. And the truth is, up until this point, for much of 2010, I have given my power away to others. I have cared what other people think of me, too much so. Of everything I've learned about myself in 2010, I believe this is the quintessential root cause of my own self-created obstacles. I'm grateful to Michael for pointing this out, obviously.
But you know, of the plethora of concepts I've been meditating on over this holiday break, it's that true family, blood relations or not, will give their input and advice, warn you about potential injury, and otherwise be completely free to disagree with you while not sacrificing your relationships in the process.
They'll see you experience major traumas like betrayal and shock and not lose respect for you if your reaction to all of it doesn't meet their expectation of what's "appropriate". They'll come around and support decisions that you've made even if they advised against them during your deliberations. They'll walk their talk about loyalty and friendship and rectitude and not equivocate to suit their thinly concealed personal agendas. They'll have your back, even if they don't understand you. And they'll push you to better yourself, in a way that demonstrates high compassion.
But if you don't test your relationships when you have to, when the occasion calls for you to be authentic to yourself even when it's inconvenient, awkward, or downright offensive to your greater family, you're betraying yourself. And that's the highest and most damaging betrayal that exists.
That betrayal then affects everything you do, from the career paths you take to the friendships you keep to the romantic relationships you find yourself in. Then you get stuck in vicious cycles of your own creation that hold you back, making the same mistakes and repeating the same patterns over and over again, until years pass by and your hair goes gray and you wonder why, for all of your smarts and ambition, you were never able to figure it out. You become, as the movie line goes, "an old man, filled with regret, waiting to die alone."
In 2011, resolve to be loyal to yourself. To get into a dust-up when a dust-up is called for, if it means that you express yourself authentically. To give yourself permission to be intense or angry or sad or afraid if that's how you feel at the moment. To stop apologizing in advance to those who care about you for actions and decisions you know are right for you. To surround yourself with persons, places, and things that are aligned with your own vibrations and allow, with gratitude, everything that isn't going your way to bow out of your experience and fall away naturally.
In 2011, resolve to put into action all of the things you've thought about doing for so long, to break out of the patterns that society expects of your and actually build an infrastructure for the ambitions everyone else says are impossible. To give legs to your fondest dreams, that you may end next year in a place far beyond the mundane expectations of what we think life actually is.
In 2011, resolve to be authentic, inside and out. It's the only resolution worth keeping, and probably the hardest to keep.
Personally, I resolve to begin fulfilling these resolutions one day early.
And how about that?.....I feel better already.
Get to know who you really are. Decide who you want to be and go be it. Embrace the persons, places, and things that will lead you there; and rid yourself of the persons, places, and things that no longer serve you. A simple formula, even if only the tinest minority of the population actually goes through with it.
Every year that passes by represents, in the personal history of somebody somewhere, a time for taking out the trash and cleaning house. The places and things are easy enough, but when it comes to the persons, this is where most of these individuals in transition get hung up on the whole process. After all, nobody sets out to be an asshole, even when the people in question are really holding you back, intentionally or not.
This is where the inauthenticity kicks in. You get used to appeasing those who would put up a fight when you take risks, people who quietly judge and dismiss you, who are only tied to you through some shared history and with whom you create nothing new or valuable. Maybe you're conflict averse, afraid to get into a dust-up with those closest to you, for fear of losing them, even though you're legitimately pissed with decisions they've made. Because certain individuals haven't acted in a way that demonstrates friendship and loyalty to you. Maybe you've just made appeasement a habit.
In any relationship, even those with places and things, there's a point where you just get sick of self-censorship for the sake of being sociable and appearing upbeat, a good employee or happy-go-lucky buddy, where you're tired of playing Chamberlain to the unintentional aggressors around you in the false hope of a just peace. When you're just going to do what you want. Fuck the world.
Yes, in case you haven't already figured it out, I'm starting the last day of 2010 in something of a foul mood. But as always, this is mostly just me taking out the trash in the best way I know how: the written word. And I may as well vent it out before I party down tonight.
One of my mentors once pointed out the importance of noticing the symbolism of your outer life. Handing in the Form N9 the other day to my landlord, I took a moment to appreciate the number of my apartment building on my street: 360. A full turnaround, where you end by returning to the beginning. I prefer to think of life's cycles as an upward spiral: you eventually come back to where you started, but at least one level higher up in three dimensional space. Life cycles involve continuous growth, though at each stage of that cycle, you shed the dead cells and let them fall away.
Michael pointed out to me the other day that in at least several entries now, I've said some variation of the phrase "I could give a damn what people think". Of course, that sends the exact opposite message, especially when you repeat it across several entries. And the truth is, up until this point, for much of 2010, I have given my power away to others. I have cared what other people think of me, too much so. Of everything I've learned about myself in 2010, I believe this is the quintessential root cause of my own self-created obstacles. I'm grateful to Michael for pointing this out, obviously.
But you know, of the plethora of concepts I've been meditating on over this holiday break, it's that true family, blood relations or not, will give their input and advice, warn you about potential injury, and otherwise be completely free to disagree with you while not sacrificing your relationships in the process.
They'll see you experience major traumas like betrayal and shock and not lose respect for you if your reaction to all of it doesn't meet their expectation of what's "appropriate". They'll come around and support decisions that you've made even if they advised against them during your deliberations. They'll walk their talk about loyalty and friendship and rectitude and not equivocate to suit their thinly concealed personal agendas. They'll have your back, even if they don't understand you. And they'll push you to better yourself, in a way that demonstrates high compassion.
But if you don't test your relationships when you have to, when the occasion calls for you to be authentic to yourself even when it's inconvenient, awkward, or downright offensive to your greater family, you're betraying yourself. And that's the highest and most damaging betrayal that exists.
That betrayal then affects everything you do, from the career paths you take to the friendships you keep to the romantic relationships you find yourself in. Then you get stuck in vicious cycles of your own creation that hold you back, making the same mistakes and repeating the same patterns over and over again, until years pass by and your hair goes gray and you wonder why, for all of your smarts and ambition, you were never able to figure it out. You become, as the movie line goes, "an old man, filled with regret, waiting to die alone."
In 2011, resolve to be loyal to yourself. To get into a dust-up when a dust-up is called for, if it means that you express yourself authentically. To give yourself permission to be intense or angry or sad or afraid if that's how you feel at the moment. To stop apologizing in advance to those who care about you for actions and decisions you know are right for you. To surround yourself with persons, places, and things that are aligned with your own vibrations and allow, with gratitude, everything that isn't going your way to bow out of your experience and fall away naturally.
In 2011, resolve to put into action all of the things you've thought about doing for so long, to break out of the patterns that society expects of your and actually build an infrastructure for the ambitions everyone else says are impossible. To give legs to your fondest dreams, that you may end next year in a place far beyond the mundane expectations of what we think life actually is.
In 2011, resolve to be authentic, inside and out. It's the only resolution worth keeping, and probably the hardest to keep.
Personally, I resolve to begin fulfilling these resolutions one day early.
And how about that?.....I feel better already.
Tuesday, December 14, 2010
Second Tier Dreams
There are simply too many artists sacrificing the present chasing future dreams.
As I wrote earlier, many aspiring writers, actors, animators, singers, what-have-you are waiting tables, pouring coffee, pushing papers, or lugging boxes to make ends meet. The justification is that they're just "paying the bills", and this is true. But one thing they don't consider is that they're not necessarily making the best use of other talents they may have in the interim.
Take someone like myself - university educated, leadership talents thanks to the Fraternity and other organizations, intelligent, with high technical skill - and put them doing something from 9 to 5 that makes little use of these other talents - like administration or other entry level posts - and what do you have? Work dissatisfaction. Personal stagnation. Stress. Anxiety. Feelings of malaise and disappointment.
Why do we do this to ourselves? "Why," we say, "I'm just doing this until [fill in the lucrative artsy career goal], nothing more." Why do we do this? "It's just what I've always done." And every word of it is true, but eventually, working below our potential on a daily basis will cost us those other talents. They will atrophy.
As such, it's important to envision a second-tier dream, while bigger ones are pending.
Artists usually don't do this, especially if they, like me, use tools like the Law of Attraction and intention-based mindset practices to fulfill goals. "If I go after something else, won't I be compromising my dream? Won't I be spreading myself too thin if I get a job that's too involved?"
The questions makes sense, and the answer to both is, well, yes and no. Yes, because no longer is your vision of seeing your book on the bestseller's shelf at Borders or winning a Grammy going to be the only one you have. No, because the second-tier dream runs parallel to the main one: in fact, the second tier dream underlies the first.
You see, Aspiring Career Artist, you're going to have to work a job no matter what until you get to that moment of fulfillment. That means you have an opportunity to not only pay the bills, but to develop other skills that you might be sidelining in favour of your chief talent.
Cindy Crawford may be a world-famous model now, but she had won a scholarship to study Chemical Engineering at Northwestern University. Mind you, she only studied for one academic quarter before modeling took off, but the point is that she definitely had talents that she would have applied in the working world.
Twin career pursuits can lead to cross-fertilization that can only enhance your bigger dreams. For instance, if you become a team lead in some capacity at a company, you'll build leadership and organizational skills that you can then internalize enough to help keep you on track with your novel-writing. Sales skills garnered anywhere from furniture stores to the financial sector can enhance your abilities to read people, which you can then translate to better character portrayals as an actor.
If it's that simple, why don't more people have twin careers? That's the thing: they do. In my modest thirteen year work history, I've met several dozen individuals like this, each with their own "thing on the side". And many, if not most of the people I've actually talked to about their bigger dreams, feel as though they're not normal, that they're deviating from what society says they "should" be doing. That's because we're conditioned as children, especially boys, to think about one career only.
We spend 40 hours a week at a full-time job. A third of your day, at least half of your waking life (assuming we're splitting the 24 hours three ways, including sleep). If it's making you feel miserable, if you feel like a misfit, that's a sure sign that you should be looking to trade up anyway, artsy career goal or not.
But if you are an artist, take it from a guy who worked at three different places in the three years it took him to start and finish his first novel: don't suffer the present for your future needlessly. Don't stagnate at a place just because "it's a job".
You've got other talents, and if you can explore them at a day job that helps you grow in those directions, that will put you (back) in a mindset of confidence, leadership, ambition, and excellence, then that's where you should be looking.
That's what I'm looking for. After finishing the exercise that my ex gave me the other day, I concluded that what I'm looking for boils down to a few key elements: a leadership role in a big private sector company; a large team environment where I interact with lots of people each day; a Monday to Friday day shift; at least 10k more a year in take-home money than what I'm making now; a fair, consistent, and people-centric management philosophy; and someplace that has a strong participatory corporate culture (i.e. company teams, events, parties). That's broad enough that I'm sure I can find such a place in my area, but specific enough that I reduce the risk of repeating past mistakes in approaching a potential job.
To my friends who are still in school, high school and up, do yourselves a favour: set yourself a secondary, as well as a primary dream. Contrary to what your parents, educators, and physics may have taught you, you can be in two places at once.
And who knows? You might discover that your second tier dream is actually the thing you really want to do for your working life. Of course, today, that's not me. Definitely not me....
As I wrote earlier, many aspiring writers, actors, animators, singers, what-have-you are waiting tables, pouring coffee, pushing papers, or lugging boxes to make ends meet. The justification is that they're just "paying the bills", and this is true. But one thing they don't consider is that they're not necessarily making the best use of other talents they may have in the interim.
Take someone like myself - university educated, leadership talents thanks to the Fraternity and other organizations, intelligent, with high technical skill - and put them doing something from 9 to 5 that makes little use of these other talents - like administration or other entry level posts - and what do you have? Work dissatisfaction. Personal stagnation. Stress. Anxiety. Feelings of malaise and disappointment.
Why do we do this to ourselves? "Why," we say, "I'm just doing this until [fill in the lucrative artsy career goal], nothing more." Why do we do this? "It's just what I've always done." And every word of it is true, but eventually, working below our potential on a daily basis will cost us those other talents. They will atrophy.
As such, it's important to envision a second-tier dream, while bigger ones are pending.
Artists usually don't do this, especially if they, like me, use tools like the Law of Attraction and intention-based mindset practices to fulfill goals. "If I go after something else, won't I be compromising my dream? Won't I be spreading myself too thin if I get a job that's too involved?"
The questions makes sense, and the answer to both is, well, yes and no. Yes, because no longer is your vision of seeing your book on the bestseller's shelf at Borders or winning a Grammy going to be the only one you have. No, because the second-tier dream runs parallel to the main one: in fact, the second tier dream underlies the first.
You see, Aspiring Career Artist, you're going to have to work a job no matter what until you get to that moment of fulfillment. That means you have an opportunity to not only pay the bills, but to develop other skills that you might be sidelining in favour of your chief talent.
Cindy Crawford may be a world-famous model now, but she had won a scholarship to study Chemical Engineering at Northwestern University. Mind you, she only studied for one academic quarter before modeling took off, but the point is that she definitely had talents that she would have applied in the working world.
Twin career pursuits can lead to cross-fertilization that can only enhance your bigger dreams. For instance, if you become a team lead in some capacity at a company, you'll build leadership and organizational skills that you can then internalize enough to help keep you on track with your novel-writing. Sales skills garnered anywhere from furniture stores to the financial sector can enhance your abilities to read people, which you can then translate to better character portrayals as an actor.
If it's that simple, why don't more people have twin careers? That's the thing: they do. In my modest thirteen year work history, I've met several dozen individuals like this, each with their own "thing on the side". And many, if not most of the people I've actually talked to about their bigger dreams, feel as though they're not normal, that they're deviating from what society says they "should" be doing. That's because we're conditioned as children, especially boys, to think about one career only.
"What do you want to be when you grow up?" isn't typically a multiple choice question, but it should be, because most human beings aren't one-trick ponies.
We spend 40 hours a week at a full-time job. A third of your day, at least half of your waking life (assuming we're splitting the 24 hours three ways, including sleep). If it's making you feel miserable, if you feel like a misfit, that's a sure sign that you should be looking to trade up anyway, artsy career goal or not.
But if you are an artist, take it from a guy who worked at three different places in the three years it took him to start and finish his first novel: don't suffer the present for your future needlessly. Don't stagnate at a place just because "it's a job".
You've got other talents, and if you can explore them at a day job that helps you grow in those directions, that will put you (back) in a mindset of confidence, leadership, ambition, and excellence, then that's where you should be looking.
That's what I'm looking for. After finishing the exercise that my ex gave me the other day, I concluded that what I'm looking for boils down to a few key elements: a leadership role in a big private sector company; a large team environment where I interact with lots of people each day; a Monday to Friday day shift; at least 10k more a year in take-home money than what I'm making now; a fair, consistent, and people-centric management philosophy; and someplace that has a strong participatory corporate culture (i.e. company teams, events, parties). That's broad enough that I'm sure I can find such a place in my area, but specific enough that I reduce the risk of repeating past mistakes in approaching a potential job.
To my friends who are still in school, high school and up, do yourselves a favour: set yourself a secondary, as well as a primary dream. Contrary to what your parents, educators, and physics may have taught you, you can be in two places at once.
And who knows? You might discover that your second tier dream is actually the thing you really want to do for your working life. Of course, today, that's not me. Definitely not me....
Sunday, December 12, 2010
Please Note
At 7:48pm, EST, on Sunday, December 12th, 2010, I finished my novel. I was in my apartment in Burlington, Ontario.
Convergence is 311 pages (8 1/2 by 11), and the first draft is 127,511 words as of the end of writing.
I've finished my novel.
Huh....isn't that something?
Convergence is 311 pages (8 1/2 by 11), and the first draft is 127,511 words as of the end of writing.
I've finished my novel.
Huh....isn't that something?
Sunday, November 28, 2010
Stepping Stones
This week should see my first calls from the agency for acting auditions.
It seems like I've been waiting on this forever, ever since Labour Day when I happened to chance upon the two recruiters in Burlington. Sometimes I get a small worry that I've oversold this to people. I mean, I had one person in the last week ask me "besides acting, what do you do?" and yet I haven't even been to an audition yet! Still, if ever there was an application of the "act as if" principle, it's this. I'm going to take this one heads on and see where it leads. I'm excited!
Creative people are difficult to place in a capitalist economy. It's probably why so many artists grativate towards socialism or communism: if the basic necessities of life were taken care of by the community, then it would free up artists to explore their craft without fear of homelessness or starvation, whatever it might be. I can definitely see that appeal. Sadly, while that could be the way things go in the future, at the present, creative men and women are still having to wait tables, serve coffee, lug boxes, or push paper in offices to support the basics of life to follow their dreams.
When they do succeed, though, they succeed big. It's the difference between Harrison Ford the Carpenter - the job he held to pay the bills; he'd met George Lucas when the director hired him to fix his cabinets - and Harrison Ford the A-List Film Star. If you look at the percentages of artists living almost obscene affluence thanks to their craft and those struggling for rent and food....well, I'd rather not. As one of Ford's more famous characters, Han Solo, once remarked:
Off the top of my head, I've held something like nine jobs in my fourteen year work history. Two were logistics clerk positions; one was a warehouse co-ordinator for a marketing company; one was as an office customer service rep; two were pure administrative clerical gigs; two were as a warehouse material handler; one was as a virtual concierge (in an office, but not doing administration); and one was in sales.
Out of the nine, I was happiest in the concierge and the sales gigs. I only left the concierge for the better shift and pay of government work, and - I'll admit - the presence of a union to keep the man at bay (my new thoughts on unions are a whole other entry altogether). I only stopped working the sales job because the company itself was shady and disintegrated, resulting in a layoff (I enjoyed the work, though).
I liked them because they appealed to my creativity, because they challenged me to think outside the box, to use my unique talents. It's a satisfaction I can't get in government. Here, there is nothing outside the box. The box is everything.
There's a lingering convention in the way Western culture - and the American workforce paradigm in particular - views careers, and that's the idea that you're supposed to find one career for life. It's that 1950s ideal of the man who works for a loyal company, for fair compensation, who gets rewarded for his efforts if he shows effort. He sticks with the company for 40 years, then retires with a good pension.
Flashforward to the Great Recession...hell, even before. The 1950s vision is only a memory, and a laughable one at that. Not only has the economy grown more unstable, but several new work paradigms have emerged. One of them suits the artist very well: the job as a growth experience, as a stepping stone.
You start a job with a great level of excitement, stay as long as the gumption stays with you. Enjoy your time. When the gumption runs out, and the job feels like an existential drag, or when you no longer see any chances to move up, start finding something else. Send out the resumes, do the interviews, and when you get an offer for a new place, tender your resignation at the old, and start again.
In a way, it's more natural than sticking with the same job for decades. In nature, there are many species of fauna that will habitate one place for a while, and then migrate to greener pastures when the habitat no longer supports them. Western culture, for all its greatness which I do admire and defend, seems wont to impose artificial expectations on work, as it does other aspects of life. Why should anyone stick with something long after it's outlived its usefulness? When it not only stops providing satisfaction and a feeling of purpose and belonging, but actually starts working against your happiness?
The reflex of the traditionalists, of course, is to slap back with the other extreme: you don't want a string of fifteen jobs on a resume. You don't want to show you're non-committal. To them, I say this: employers are non-committal. Way more than their workers. They won't hesitate to let you go if it serves their interests. You shouldn't hesitate to drop them in favour of something new if they no longer serve your interests, as long as you do so in a professional manner that prevents too much damage on either side of the arrangement.
When we say we're in a new economic reality, we need to appreciate that this reality now changes on a daily basis, not a generational one. Most of the gray hairs for whom I work and who still cling to the old 1950s vision of career will never accept that, nor will their younger disciples for whom life has indeed been a straight and narrow path of relative ease. Adaptability and knowing when to leap are two qualities I'd advise any young person entering the workforce to develop, no matter what they studied in school, at no matter what level.
Above all, I say to these kids: don't look for your career to define you as it has previous generations. Instead, try to resist the tendency to label yourself and others you'll meet by what they do, and focus instead on the experience of life as a whole, in which "career" is only one thread in the tapestry.
Your career, like your relationships, like your health, like other parts of your life, should all have one thing in common: they should be accurate reflections of the strongest version of Who You Are. Present tense. That is, they put you in the zone and give you a zest for life, make you excited to wake up in the morning to face the new day. Doesn't matter what the job is, whether it's in your trained field or not, as long as it contributes to your overall joy. When it stops doing so, look for something else that's more in line with Who You Are, however you define it, wherever you find it.
I'm mindful that I'm now as excited about acting as I was about starting my current job, as I had been about the virtual concierge, about many of the jobs that ended up burning me out over the years. I haven't left my day job, and don't plan on it, for all of the shortcomings it has of low creative satisfaction and the social isolation. But I'm no lifer: my boss knows that, and if this new adventure turns out to be lucrative and personally fulfilling enough, I'd be silly to stick with a sure thing that fails to satisfy on both counts.
How this turns out remains to be seen. That's why it's called "risk". Stay tuned.
***UPDATE: For those of you who have expressed concern, even criticism, that I shouldn't write this for fear that current and future employers may Google me, read this. Frankly, any employer who would seek that much control over my thoughts and feelings does not deserve my services.
It seems like I've been waiting on this forever, ever since Labour Day when I happened to chance upon the two recruiters in Burlington. Sometimes I get a small worry that I've oversold this to people. I mean, I had one person in the last week ask me "besides acting, what do you do?" and yet I haven't even been to an audition yet! Still, if ever there was an application of the "act as if" principle, it's this. I'm going to take this one heads on and see where it leads. I'm excited!
Creative people are difficult to place in a capitalist economy. It's probably why so many artists grativate towards socialism or communism: if the basic necessities of life were taken care of by the community, then it would free up artists to explore their craft without fear of homelessness or starvation, whatever it might be. I can definitely see that appeal. Sadly, while that could be the way things go in the future, at the present, creative men and women are still having to wait tables, serve coffee, lug boxes, or push paper in offices to support the basics of life to follow their dreams.
When they do succeed, though, they succeed big. It's the difference between Harrison Ford the Carpenter - the job he held to pay the bills; he'd met George Lucas when the director hired him to fix his cabinets - and Harrison Ford the A-List Film Star. If you look at the percentages of artists living almost obscene affluence thanks to their craft and those struggling for rent and food....well, I'd rather not. As one of Ford's more famous characters, Han Solo, once remarked:
"Never tell me the odds."
Off the top of my head, I've held something like nine jobs in my fourteen year work history. Two were logistics clerk positions; one was a warehouse co-ordinator for a marketing company; one was as an office customer service rep; two were pure administrative clerical gigs; two were as a warehouse material handler; one was as a virtual concierge (in an office, but not doing administration); and one was in sales.
Out of the nine, I was happiest in the concierge and the sales gigs. I only left the concierge for the better shift and pay of government work, and - I'll admit - the presence of a union to keep the man at bay (my new thoughts on unions are a whole other entry altogether). I only stopped working the sales job because the company itself was shady and disintegrated, resulting in a layoff (I enjoyed the work, though).
I liked them because they appealed to my creativity, because they challenged me to think outside the box, to use my unique talents. It's a satisfaction I can't get in government. Here, there is nothing outside the box. The box is everything.
There's a lingering convention in the way Western culture - and the American workforce paradigm in particular - views careers, and that's the idea that you're supposed to find one career for life. It's that 1950s ideal of the man who works for a loyal company, for fair compensation, who gets rewarded for his efforts if he shows effort. He sticks with the company for 40 years, then retires with a good pension.
Flashforward to the Great Recession...hell, even before. The 1950s vision is only a memory, and a laughable one at that. Not only has the economy grown more unstable, but several new work paradigms have emerged. One of them suits the artist very well: the job as a growth experience, as a stepping stone.
You start a job with a great level of excitement, stay as long as the gumption stays with you. Enjoy your time. When the gumption runs out, and the job feels like an existential drag, or when you no longer see any chances to move up, start finding something else. Send out the resumes, do the interviews, and when you get an offer for a new place, tender your resignation at the old, and start again.
In a way, it's more natural than sticking with the same job for decades. In nature, there are many species of fauna that will habitate one place for a while, and then migrate to greener pastures when the habitat no longer supports them. Western culture, for all its greatness which I do admire and defend, seems wont to impose artificial expectations on work, as it does other aspects of life. Why should anyone stick with something long after it's outlived its usefulness? When it not only stops providing satisfaction and a feeling of purpose and belonging, but actually starts working against your happiness?
The reflex of the traditionalists, of course, is to slap back with the other extreme: you don't want a string of fifteen jobs on a resume. You don't want to show you're non-committal. To them, I say this: employers are non-committal. Way more than their workers. They won't hesitate to let you go if it serves their interests. You shouldn't hesitate to drop them in favour of something new if they no longer serve your interests, as long as you do so in a professional manner that prevents too much damage on either side of the arrangement.
When we say we're in a new economic reality, we need to appreciate that this reality now changes on a daily basis, not a generational one. Most of the gray hairs for whom I work and who still cling to the old 1950s vision of career will never accept that, nor will their younger disciples for whom life has indeed been a straight and narrow path of relative ease. Adaptability and knowing when to leap are two qualities I'd advise any young person entering the workforce to develop, no matter what they studied in school, at no matter what level.
Above all, I say to these kids: don't look for your career to define you as it has previous generations. Instead, try to resist the tendency to label yourself and others you'll meet by what they do, and focus instead on the experience of life as a whole, in which "career" is only one thread in the tapestry.
Your career, like your relationships, like your health, like other parts of your life, should all have one thing in common: they should be accurate reflections of the strongest version of Who You Are. Present tense. That is, they put you in the zone and give you a zest for life, make you excited to wake up in the morning to face the new day. Doesn't matter what the job is, whether it's in your trained field or not, as long as it contributes to your overall joy. When it stops doing so, look for something else that's more in line with Who You Are, however you define it, wherever you find it.
I'm mindful that I'm now as excited about acting as I was about starting my current job, as I had been about the virtual concierge, about many of the jobs that ended up burning me out over the years. I haven't left my day job, and don't plan on it, for all of the shortcomings it has of low creative satisfaction and the social isolation. But I'm no lifer: my boss knows that, and if this new adventure turns out to be lucrative and personally fulfilling enough, I'd be silly to stick with a sure thing that fails to satisfy on both counts.
How this turns out remains to be seen. That's why it's called "risk". Stay tuned.
***UPDATE: For those of you who have expressed concern, even criticism, that I shouldn't write this for fear that current and future employers may Google me, read this. Frankly, any employer who would seek that much control over my thoughts and feelings does not deserve my services.
Thursday, November 25, 2010
Confidence without Douchebaggery
The following is a recounting of something Jody witnessed, and may not have happened exactly as depicted, though that's totally okay, because this version's been sexified by Jody's awesome imagination.
The Phidelts had Wing Night this past Sunday in Westdale.
After gorging on the delightful parts of some hapless, mass-produced chickens, me and the younger guys chill for about ten minutes before they head off to another pub.
During that time, two lovely young ladies emerge from the restaurant, walk past the bunch of us, and get into a car to light a cigarette. Long story short, one of our entourage - driven by courage, apathy, and a deeper fortitude located somewhere in his pants - walks over to the driver's side. I have no idea what he says - I'd later find out he opened with "I'd like to see some ID" - but the girls seem to enjoy it and the rest of us are quite entertained.
"I love the way he sauntered over there," I say aloud. "It's such a balls-out approach."
At that point, a brother - who I shall deem "The Moustache" until he gives me formal permission to reprint his name publicly - responds with a cool point.
Think about it. How many "nice guys" worry about looking like anything but "nice guys" when it comes to impressing the ladies? That's why nice guys fail so frequently and so hard when they try to be less "nice" at bars and at parties: they're aware that they're putting on an act. They're too afraid of saying something wrong that will make them look like complete assholes to the women. Their fears become their focus, and thus become their experience. There's nothing as confidence sapping, as emasculating, as the feeling that you have to choose between being a dick and being the Pillsbury doughboy to succeed at dating, and life.
The trick is to lose yourself in the part. And also to eliminate the word "douchebag" from your self description. All you're doing is just walking your confidence.
Much like Jack the Clawless Tabby did in 2006.
Call it a biological Napoleon complex all you want, this cat is one mean pussy. Never once did it occur to him that the bear cub could easily take him out with the slightest of swipes, or that he was about five times smaller. The cat had his turf to protect.
Jack the Clawless Tabby never dwelled on his shortcomings: instead, he pushed his natural strengths to the max and harnessed them behind a single goal: telling a wandering bear to get the fuck off his property.
Issues of confidence are rampant in my daily existence, mostly in the assertion department. Assertiveness remains a challenge for me, especially in the presence of stronger, go-getter personalities who are way more cock and balls than I'll ever be. They give me little room to maneuver: if you push, I'll either dig in my heels or I'll just walk away, start some lone wolf time.
Or, if you're really being direct, I'll push back a little more out of proportion to what's called for, but that's a last resort. I don't much care for pissing matches with people, but if you're on my territory - my home, my office, my arena - I will do what's necessary to protect my sovereignty.
And yet, in situations where I'm not forced to beat my chest, I'm damned good at the confidence game. I've landed a couple of jobs where I only barely met the requirements, based mostly on the interview. Aaron pointed this out a couple of times when I've had moments of doubt: he's one person who sees that strength, and he's one of the most confident guys I've ever met.
We have an archetype in Western culture of the disgruntled office clerk. That person who occupies a lower station in a greater organization who is so much more capable than what he's getting, if only he had the guts to just speak up for himself. Frequently, the place where he paralyzes himself is one concept, this all-too-familiar fear:
Nor is it just guys. Alice remarked to me today, in a somewhat related discussion, her own qualms with self-assertion. After showing her the story on Jack the Orange Tabby, she said this:
Back to the Moustache for a moment.
"You know," I say to him, back at the parking lot of the restaurant after Wing Night, "I've always struggled with issues of authenticity, especially when it comes to meeting girls, but you know..."
I steal another look over at Mr. Ballsy, chatting up the two girls.
"It's nothing new. I've summoned that kind of confidence at job interviews, why not here?"
The Moustache agrees. "Real douchebags don't care what people think. That confidence is attractive and they know it. You can be a good confident person without being a dick."
Plus, as much as pretty girls can't initially tell the difference between an asshole and a confident good guy at a bar, I'm willing to bet they enjoy the process of sorting them out.
Simple concept, right? And yet, so many people fret over it.
Losing yourself in the role doesn't mean putting on a show. It's the acquisition and continued accumulation of a genuine feeling, and then just running with it. It's like summoning a comic book superpower and then swaggering around.
Easiest way to summon this power? Do what Ben Affleck's character talks about in Boiler Room - which Michael is watching over at his place as I type this:
"Act as if".
Assume you're a superstar, then lose yourself in the part. I do this a lot lately as part of my visualization for acting. Since I started, not gonna lie, my swagger's gotten more attention from all the right places (and a few of the wrong ones).
As that superstar, walk up to someone today and strike up a conversation like it was nothing. Unless the other person has some malfunction in that moment, I promise it'll go smoothly.
If anything, that other person should feel anxious talking to you. Be polite, kind, say whatever comes to mind, thank them, shake their hands if the chat was meaningful, then make your way out.
As you leave, notice that feeling - high, energized, certain - and carry it with you as long as it lasts.
And remember it the next time you see that cute girl you've been dying to talk to.
To the naturally confident, extroverted A-types, this seems so basic, but to guys like me, it's always a new revelation, like a monolith from 2001. Some people need to have this literally beaten into our skulls with a proto-human femur bone to make sure we never forget.
And yes, lately I've been following my own advice and doing this with women. More on that in a later entry. Back to the novel, in the meantime.
The Phidelts had Wing Night this past Sunday in Westdale.
After gorging on the delightful parts of some hapless, mass-produced chickens, me and the younger guys chill for about ten minutes before they head off to another pub.
During that time, two lovely young ladies emerge from the restaurant, walk past the bunch of us, and get into a car to light a cigarette. Long story short, one of our entourage - driven by courage, apathy, and a deeper fortitude located somewhere in his pants - walks over to the driver's side. I have no idea what he says - I'd later find out he opened with "I'd like to see some ID" - but the girls seem to enjoy it and the rest of us are quite entertained.
"I love the way he sauntered over there," I say aloud. "It's such a balls-out approach."
At that point, a brother - who I shall deem "The Moustache" until he gives me formal permission to reprint his name publicly - responds with a cool point.
"The trick is not giving a shit if people think you're a douchebag".
Think about it. How many "nice guys" worry about looking like anything but "nice guys" when it comes to impressing the ladies? That's why nice guys fail so frequently and so hard when they try to be less "nice" at bars and at parties: they're aware that they're putting on an act. They're too afraid of saying something wrong that will make them look like complete assholes to the women. Their fears become their focus, and thus become their experience. There's nothing as confidence sapping, as emasculating, as the feeling that you have to choose between being a dick and being the Pillsbury doughboy to succeed at dating, and life.
The trick is to lose yourself in the part. And also to eliminate the word "douchebag" from your self description. All you're doing is just walking your confidence.
Much like Jack the Clawless Tabby did in 2006.
Call it a biological Napoleon complex all you want, this cat is one mean pussy. Never once did it occur to him that the bear cub could easily take him out with the slightest of swipes, or that he was about five times smaller. The cat had his turf to protect. Jack the Clawless Tabby never dwelled on his shortcomings: instead, he pushed his natural strengths to the max and harnessed them behind a single goal: telling a wandering bear to get the fuck off his property.
Issues of confidence are rampant in my daily existence, mostly in the assertion department. Assertiveness remains a challenge for me, especially in the presence of stronger, go-getter personalities who are way more cock and balls than I'll ever be. They give me little room to maneuver: if you push, I'll either dig in my heels or I'll just walk away, start some lone wolf time.
Or, if you're really being direct, I'll push back a little more out of proportion to what's called for, but that's a last resort. I don't much care for pissing matches with people, but if you're on my territory - my home, my office, my arena - I will do what's necessary to protect my sovereignty.
And yet, in situations where I'm not forced to beat my chest, I'm damned good at the confidence game. I've landed a couple of jobs where I only barely met the requirements, based mostly on the interview. Aaron pointed this out a couple of times when I've had moments of doubt: he's one person who sees that strength, and he's one of the most confident guys I've ever met.
We have an archetype in Western culture of the disgruntled office clerk. That person who occupies a lower station in a greater organization who is so much more capable than what he's getting, if only he had the guts to just speak up for himself. Frequently, the place where he paralyzes himself is one concept, this all-too-familiar fear:
"I don't want to be an asshole."
Nor is it just guys. Alice remarked to me today, in a somewhat related discussion, her own qualms with self-assertion. After showing her the story on Jack the Orange Tabby, she said this:
I'm always afraid that I'll look like a bitch if I assert myself like that.
Back to the Moustache for a moment.
"You know," I say to him, back at the parking lot of the restaurant after Wing Night, "I've always struggled with issues of authenticity, especially when it comes to meeting girls, but you know..."
I steal another look over at Mr. Ballsy, chatting up the two girls.
"It's nothing new. I've summoned that kind of confidence at job interviews, why not here?"
The Moustache agrees. "Real douchebags don't care what people think. That confidence is attractive and they know it. You can be a good confident person without being a dick."
Plus, as much as pretty girls can't initially tell the difference between an asshole and a confident good guy at a bar, I'm willing to bet they enjoy the process of sorting them out.
Simple concept, right? And yet, so many people fret over it.
Losing yourself in the role doesn't mean putting on a show. It's the acquisition and continued accumulation of a genuine feeling, and then just running with it. It's like summoning a comic book superpower and then swaggering around.
Easiest way to summon this power? Do what Ben Affleck's character talks about in Boiler Room - which Michael is watching over at his place as I type this:
"Act as if".
Assume you're a superstar, then lose yourself in the part. I do this a lot lately as part of my visualization for acting. Since I started, not gonna lie, my swagger's gotten more attention from all the right places (and a few of the wrong ones).
As that superstar, walk up to someone today and strike up a conversation like it was nothing. Unless the other person has some malfunction in that moment, I promise it'll go smoothly.If anything, that other person should feel anxious talking to you. Be polite, kind, say whatever comes to mind, thank them, shake their hands if the chat was meaningful, then make your way out.
As you leave, notice that feeling - high, energized, certain - and carry it with you as long as it lasts.
And remember it the next time you see that cute girl you've been dying to talk to.
To the naturally confident, extroverted A-types, this seems so basic, but to guys like me, it's always a new revelation, like a monolith from 2001. Some people need to have this literally beaten into our skulls with a proto-human femur bone to make sure we never forget.
And yes, lately I've been following my own advice and doing this with women. More on that in a later entry. Back to the novel, in the meantime.
Saturday, November 20, 2010
Dare the Universe
To make any blog more searchable, it helps to include a few words about what it's about. It's also preferable not to have those keywords all appearing at once in the title banner. Hence, why I've resorted to the tag cloud, visible in the module on the upper right corner of the homepage to Dispatches. I did a quick skim of all the entries to date and tagged according to what I saw. By the numbers, this isn't as much of a divorce blog as I thought it was. We'll see how it evolves from here.
The Secret, on Amphetamines
Thursday, I returned home from work. Another busy week, yet more mediocrity.
The reason I'm perpetually unsatisfied in most jobs I've held is that most of them have been office work without much room for creativity, and I'm a creative person. The most creative office based job I ever had was at the virtual concierge where I worked before lucking out on the government position. Even that gig was heavily regulated due to the nature of the service we were providing. I stick with administration for the same reason that food servers with other passions stick to waiting tables: it's the only means of making money to support their basic needs they've ever done while bigger dreams are still pending.
I'll also flat out state that the Public Service, from a creative standpoint, is a zombie apocalypse. It does many things well, but encouraging innovation, imagination, and outside-the-box thinking is not part of the deal. Nor should it be: you need to conform to existing processes and suppress all independent thought or desires to change the system, because there's only so much you can change. Again, nothing inherently wrong with that. But I can decide is where I want to stand in relation to it all. I'll do my job, but I need to get out before I, too, get zombified.
So, I returned home from work and decide to pop in The Secret.
Now, most of my science-y friends and more rationalistic buddies don't necessarily buy into the Law of Attraction, or the way it's presented in The Secret. Fair enough. What you have to realize is that this DVD was my introduction to the concept. I have it practically memorized. So even though I have my own doubts from time to time, The Secret is part of my own belief system. Thus, telling me not to watch it, or to discount it on empirical grounds, is like telling a Catholic not to attend mass, or a Muslim not to bow to the east. Many scientists are devoutly religious, keep that in mind. And I have had some rather anomalous experiences the methodology that prove, in my subjective experience, that the Law of Attraction exists, and works as advertised.
And one such experience occurred that night.
I decided to do some visualizing of my own. Scheduled to pay a visit to my talent agency on Saturday to activate my profile and start getting auditions for film and TV work, I started to fantasize about such a gig.
Since this opportunity landed in my lap, I've had various fantasies and daydreams of success in commercials, film and TV which I won't share here, frankly because I don't trust that some well-meaning but skeptical readers won't shoot them down on practical grounds. Watching The Secret, I decided to indulge in these daydreams.
Two minutes - two minutes! - after I began my reverie, the phone rang. It was the agency. On a hunch, they wanted to see if I could audition for a major restaurant chain the very next day! Normally, they'd wait until I was completely set up, but they were in a bind and were willing to chance a long shot.
I was stunned. Chalk it up to coincidence all you want, it was a wake-up call of the biggest sorts.
And I ended up turning them down. A manager at my office was retiring the next day, so my absence from the office would have been conspicuous. Or so I told myself. They said "no worries", and I hung up the phone.
Next day, I went back to work. Long story short, I wasn't nearly as needed as I thought I was.
Today, I went in, and finalized my setup. And I found out I had a great chance to have landed that part had I gone to that audition. Major. More where that came from, sure, but I've learned a few lessons from this.
First, office work assimilates people: people become bureaucratized quite easily. This happens in the private sector, sure, but government's particularly nasty at that because everything's hyper regulated and monitored. Just visit any family court. Remember the episode of The Simpsons where Homer actually files for divorce from Marge? Who could forget the immortal words of comfort of the court clerk (who looked suspiciously like Lunch Lady Doris)? "These things happen. Eight dollars". This lady actually exists, I'll tell you.
As physically safe and mentally simple as government work can be, it steals the spirit of the artist, one bit of ectoplasm at a time, until you're nothing but an overweight, cardigan-wearing zombie, more concerned with potluck parties and the weekly lottery pool than trying to do anything more creative and passionate. Don't rock the boat. Don't ask too many questions. Don't take risks. That becomes your life, if you can call it living.
Second, bureaucratization causes you to lose sight of your own big picture. No adventure would be considered risky if you weren't willing to lose everything, but it takes balls of pure adamantium to actually do it.
Had I gone for that audition and booked it, it would have been worth the one day off and the potential wrath of my boss to get the start of a new career and several thousand dollars which would help me pay debt and travel. But on the phone, having to make a split second decision, the reflex to play it safe that I've developed over a year of government work was all too automatic.
In order to be an actual risk taker and not some guy who blogs about it from his all-too-comfortable swivel chair on his lunch break, you've got to actually take risks.
Finally, there's always more where that came from. I'm not only talking TV auditions, here. I'm talking full-time jobs. In retrospect, I got everything backwards ass. I took the risk of leaving full-time work to pursue my passion when I was supporting my ex, and now play it safe as a single guy with no one depending on me.
Switching that around means daring the Universe. It means being willing to sacrifice a sure bet for the slippery chance at your own fairy tale. It means knowing that just as you step over the chasm, a step will rise up just as you're about to fall and catch your foot. And another, and another, until you reach the other side.
The last time I decided to really take a risk was in 2007. That was when, supported by my ex, I quit my job at the distribution centre where I had worked since high school with nothing else lined up to replace it. And all along that chain of events leading me to this writing, never once did I end up starving, or on the street, or having to tuck tail and move back in with Mom and Dad. On the contrary: money and work always showed up somehow, in various forms, just in time to keep me going.
That's not to say it didn't have a price in debt or stress, but overall, Serendipity has looked after me. I just forget about her in weaker moments, as do we all. Fortunately, Serendipity is a forgiving lady. And hot to boot.
I'm not quitting my office job, to be clear, nor am I going to slack off. But I am extending the same rule I had when I started: never let it interfere with my greater ambitions. There are always other jobs, but precious few big dreams, the latter of which have only the narrowest of opportunities to become reality.
I have no illusions that I will become a major Hollywood star or anything, nor am I giving up writing to do this, but I am definitely open to the possibility, and am willing to be passionnate about any work I get and see where the passion leads me.
And next time they call, I am saying "yes" to whatever gorram audition they have for me.
Eames the Forger says it best in Inception: "You musn't be afraid to dream a little bigger, darling".
Surely, I can dream bigger than my desk.
Sunday, November 7, 2010
Ordinary Stories
More entries coming soon, but I've been mulling some things, and that I'd like to mull about out loud to the Internets.
Inspired by a recent entry on Julius' blog, I've been doing a lot of thinking about this blog's many autobiographical qualities. As a rather direct chronicle of the past year, Dispatches and its previous incarnation, Jody's Quarter Life Adventure, tells the story of my renaissance, my new start in life after my divorce, and the new experiences I've had since. Really, though, even the past year, the past decade, is but a part of my life overall. And I've had some interesting episodes to say the least.
Like Julius, I'm fascinated and baffled by the motivation that inspires ordinary people to want to share their life stories with those who would listen, even those who could care less. Then again, some of the most interesting people I've learned about in the past year include Allie Brosh, who I've only learned about through her blog and who has really made me feel more all right with my own eccentricities (she has them too, and so do most of her 30,000 readers). Though I only have 13 "official" followers, I know many people read my entries, and take something away from them that helps them. That's my hope, anyway.
Every person's story has to have some value outside of that person's own life. You can't break everything down into objective, quantitative terms: do we all have to be John Nash to deserve to have our stories told? Howard Hughes? Temple Grandin? Out of six billion lives on the planet, does no one else have value?
If life has no inherent meaning - which I believe it doesn't - and if it's thus contingent upon us to assign meaning to it, then ultimately there are no ordinary stories. Very few boring stories: just maybe boring storytellers.

Poignancy exists, and joy, in the words of obscure writers, of which I'm still one, though I hope it changes. In the meantime, interesting, ordinary stories are everywhere. And though they're each unique, they are also shared human experiences.
A 21 year old woman in Britain is diagnosed with terminal cancer, so she moves up her wedding to her fiance in the hope of creating "the best day of her life". But it's such a common tale - touching, heartbreaking, deeply rich in human experience - that when I google "terminally-ill bride" to get the link for the story, I find numerous other entries for different people touched by this same kind of transformative experience. I first see the story on Yahoo! News one day, and I remember it.
A few days later, I hear this song on the radio, and the vision of one such dying bride falling into the arms of her new husband and choosing this song for their first dance plays out in a cinematic high definition in my mind's eye. And it's so poignant it hurts. Imagine a moment of such...honesty, to be among those teary-eyed guests in the presence of two people, savouring each instant of time with each other before an end that could come anytime.
I just made that moment up, true. But these real-life human experiences happen all the time. And many of us never hear about it, save for those who are witnesses, and those who choose to share.
How many of us have failed to be transformed by stories worth hearing because we never heard them?
My experiences aren't, for the most part, all that dramatic, but they are notable, and over the next few weeks, you'll start seeing more accounts of my 29th year. This has been so transformative for me, someone has to benefit from my story, even if it's just me telling it, and knowing someone else is reading it.
That's the hope, anyway
Inspired by a recent entry on Julius' blog, I've been doing a lot of thinking about this blog's many autobiographical qualities. As a rather direct chronicle of the past year, Dispatches and its previous incarnation, Jody's Quarter Life Adventure, tells the story of my renaissance, my new start in life after my divorce, and the new experiences I've had since. Really, though, even the past year, the past decade, is but a part of my life overall. And I've had some interesting episodes to say the least.
Like Julius, I'm fascinated and baffled by the motivation that inspires ordinary people to want to share their life stories with those who would listen, even those who could care less. Then again, some of the most interesting people I've learned about in the past year include Allie Brosh, who I've only learned about through her blog and who has really made me feel more all right with my own eccentricities (she has them too, and so do most of her 30,000 readers). Though I only have 13 "official" followers, I know many people read my entries, and take something away from them that helps them. That's my hope, anyway.
Every person's story has to have some value outside of that person's own life. You can't break everything down into objective, quantitative terms: do we all have to be John Nash to deserve to have our stories told? Howard Hughes? Temple Grandin? Out of six billion lives on the planet, does no one else have value?
If life has no inherent meaning - which I believe it doesn't - and if it's thus contingent upon us to assign meaning to it, then ultimately there are no ordinary stories. Very few boring stories: just maybe boring storytellers.

Poignancy exists, and joy, in the words of obscure writers, of which I'm still one, though I hope it changes. In the meantime, interesting, ordinary stories are everywhere. And though they're each unique, they are also shared human experiences.
A 21 year old woman in Britain is diagnosed with terminal cancer, so she moves up her wedding to her fiance in the hope of creating "the best day of her life". But it's such a common tale - touching, heartbreaking, deeply rich in human experience - that when I google "terminally-ill bride" to get the link for the story, I find numerous other entries for different people touched by this same kind of transformative experience. I first see the story on Yahoo! News one day, and I remember it.
A few days later, I hear this song on the radio, and the vision of one such dying bride falling into the arms of her new husband and choosing this song for their first dance plays out in a cinematic high definition in my mind's eye. And it's so poignant it hurts. Imagine a moment of such...honesty, to be among those teary-eyed guests in the presence of two people, savouring each instant of time with each other before an end that could come anytime.
I just made that moment up, true. But these real-life human experiences happen all the time. And many of us never hear about it, save for those who are witnesses, and those who choose to share.
How many of us have failed to be transformed by stories worth hearing because we never heard them?
My experiences aren't, for the most part, all that dramatic, but they are notable, and over the next few weeks, you'll start seeing more accounts of my 29th year. This has been so transformative for me, someone has to benefit from my story, even if it's just me telling it, and knowing someone else is reading it.
That's the hope, anyway
Thursday, November 4, 2010
Shadowy Seasonal Spin Cycles
Underlying the commercial side of Halloween is its origin. Samhain is the reason for this particular season, and I won't re-explain the significance of this (neo)pagan observance here. Its origins, however, remind us of the cycle of life and death. The harvest is as much a symbol for death as it is a literal reaping of the crops, where we reflect on what we've done and what's happened.
According to Ford and other experts, whenever you react unusually strongly to a slight provocation; whenever you indulge in something that you rail against publicly (see NY Gov. Spitzer, or Rush Limbaugh, or the Catholic Church), or sabotage yourself, that's your Shadow getting tired of being suppressed and ignored. Those are dramatic examples. The rest of the time, the Shadow acts in millions of small ways that compromise you, leading to boredom, routine, the inability to escape from vicious cycles of behaviour, finances, health.
That which we bury in the earth will grow back. Always. Don't believe me? Watch Dawn of the Dead.
I'm familiar with shadow work. Much of my twenties has been about looking at myself critically and as objectively as possible. This work is never done. It's not intended to "cure" all your ills or eliminate the darkness: those who war against their own darkness really war against themselves, and will never feel whole. Rather, it's to embrace the totality of your being, light and dark. It means understanding that for you to live in a nice house, every now and then you've got to take out the trash and sweep the floor. It's the way of things.
Monday being the start of a new month, I figured that some shadow work on myself was a great way to mark a new beginning. Everyone could use some honest-to-Zeus introspection.
Among the other creatures hiding in the dark, I discovered Stuckness. I was stuck. Existentially bored. And the goal wasn't to slay Stuckness, for he's a part of me, but to cure him.
Arriving at the Goodlife Fitness after work that Monday, I sauntered into the mall, up the stairs past the usual regulars, and into the locker room. I changed in the same spot near the same locker, and headed out to the floor to do the same cardio-resistance routine I've been doing for months. All I could see was drab routine: my work, my exercise, my weekly calendar. Blah, blah.....blah. Was this really life?
Then I saw that the spin class was starting in ten minutes.
I see it every time that I'm in there - seemingly crazy people, dripping with sweat, killing themselves on the bikes to pretty catchy techno music and rock and roll - and I'd always promised I'd try it once. Still, the tricky part about a routine is that you're at once sick of the normal, and very comfortable with it. I'd fought the impulse to go for weeks, despite having reached plateaued in my weight loss around 215 pounds.
But Monday night, the thought of another boring 45 minute elliptical session kicked me in the ass, and I took the leap. I walked in, met the instructor, set myself up, and joined in.
As I said on Facebook, Megadeth would be happy to know that I've found a 100th way to die....
And yet, it was worth it, not so much for the exercise - which was amazing, and which wore me out enough that I went to bed at 9:30pm - but for the sake of the New. Suddenly, even though I'd changed absolutely nothing else in my routine, my life felt more interesting, and that's what ultimately counts: how you feel about your life.
I've talked about the Power of Now, but sometimes the solution to existential angst is simply to try something new, even if it's something small. Spin classes, of course, are somewhat dramatic if you're not into exercise that much, but I realized that I am thoroughly missing new stimuli. Time to embrace the Power of New.
A slide from the creepy DHARMA Initiative brainwashing film from LOST quotes the Buddha:
"Plant a good seed and you will joyfully gather fruit".
As Samhain ends, according to the Pagan calendar, those in the Northern Hemisphere lie directly opposite of Ostara, the spring holiday when we plant next year's harvest, when we sow new seeds, and start the cycle over again.
Naturally, we don't have to wait to re-create ourselves. Everyone has a stuckness monster living in their shadow.
And for people like me who, more than most, have to do regular inner work to prevent the monster from manifesting in yet another life crisis, sometimes all it takes is to do one new thing - plant one good seed no matter how small - to cure the hapless creature, shine a light for him to see, and set him free.
Sunday, October 17, 2010
My Nervous Breakdown, Pt 2
(cue pre-intro theme from "Battlestar Galactica")


"This was a thirtysomething Wednesday, my first, and it was boring and sad. The kind when you only think about lost baseball games and Fs on report cards and missed opportunities....was this all there was?"

"5:54am. They haven't stopped at all. And I'm angry. Determined....I get out of bed and start my day, determined to stop letting life kick my ass. Determined to make a change...."

***
Thursday
Thursday begins well.
Spurred by the late night sexcapades of my nympho neighbour, I am set to get back in the vibe and be a productive individual. Today is the begininng of a special project that I am not allowed to talk about in detail, save that it's something that my boss has given me ownership of. I am ready to kick ass. And asses are kicked today.
I'm also excited for two other reasons. After work, I'm going shopping for clothes for a photo shoot I am doing on Saturday for my upcoming work in advertising and commercials. I am getting professional head shots done and this could be the start of a whole unexpected chapter in my life.
I'm also due to meet with my BFF - let's call him Dom to prevent undue and inadvertent libel, though I may have mentioned his real name here somewhere - for coffee afterwards. He has been travelling through Europe for the past three weeks, and I want to hear about how his trip went.

As I do my shopping, I can sense a manic energy running through my system. This isn't necesssarily a good thing, because I've felt this before, and it usually precedes a huge crash. No matter, I'm getting new shoes, new pants, a new blazer....all things I've needed to complete my wardrobe. They won't all get used, I know this, but at least it's done, and I'll be equipped for any type of event. Shopping can be a temporary salve during a state of life crisis.
I come home, head into my bedroom and drop off the stuff in my closet.
And I hear them again! It's 6:34pm. This time, she's really raunchy, and sort of a turn-on. My female BFF Alice suggests that I ask to join them, but that's not in the cards for me. I barely have enough courage to talk to a girl one on one for just me: a three-way (and a devil's three-way, at that) is out of the question.
Still, it's like a determination refresher that motivates me to go to the gym and experience the mother of all workouts (which I do).
I return, shower, change, and head out to meet Dom.
Dom's been there for me pretty much forever, but especially since the drama started with my breakup and divorce from my ex. As single men, we formed part of an endangered demographic in our circle of married and long-term-partnered friends, and as "nice guys", both of us are accustomed to the pitfalls and vicissitudes of post-school dating while not being a douchebag.

I go to the cafe a little early, and find out that my other friend - again, let's call him Rick for anonymity's sake - is working that night down the street and will come over to meet us when he's done. He's also recently left a relationship, but was starting something up with a girl at his job that was going somewhere. Rick, too, has been a loyal ally in this dangerous world of singledom, and though at the time, I simply treat this as a casual coffee with buddies with no overarching symbolism, it occurs to me afterwards that these are my wingmen.
Dom shows up, and it's good to see him again. His trip to Europe was kick-ass, and he's got an energy about him that's basically vintage Dom, except ramped up 15%.
And I rapidly find out why. He's now got a girlfriend that he met on the tour.
My face must have lit up like a Christmas tree! Awesome news! I mean, Dom's probably the greatest guy ever, and if there's anyone who deserves excellent karma for years of being true to himself, putting in his best all the time with the people around him, and looking for a relationship where he can be authentic in all ways, it's him. I am very excited for him, and wish him all the best!
Rick shows up, and we talk for a bit . Turns out, he too, is now off the market (well, at the time, sort of) and was deliberating on what to do next. We shoot the shit for a while and I go home at midnight.
Though it occurs to me at the meeting, it doesn't really hit me until I go to bed (now wary of ANY sound coming from the other room).
I am probably the only single man in my group of friends.

Still, as I drift off to sleep, I do fall back on my own New Age philosophical leanings. Things that happen in your life also have symbolic meaning, as well as literal.
My apartment, for example, is either clean or cluttered depending purely on my mental state. I'm quite direct in my symbolism - for others, a clean apartment is a sign they're avoiding dealing with other issues, whereas for me it's a sign that I am bringing my surroundings into alignment with my calm and organized mindset at the time - and so I realize something that, in my lingering mania, gives me hope.
Sex is happening three feet away from me. My best friends are now experiencing either the start of new love or are seeing opportunities for love right before them. The universe is surrounding me with the very experiences I wish to have, have been looking to have again for many long months now. It's only a matter of time before it's my turn. Not much longer to wait.

On that thought, I fall asleep. And yet, outside, in the dark, my apartment is a complete mess.
Friday
If I'd known how the day was going to end, I would have probably slept in a little later. For the first time in two days, no sex from the other side of the wall. Good.
I get to work, and today's the day that I am to finish up my project and get the arrangements made. Part of this project involves collating a significantly large number of documents that, in turn, require organizing. I figure I can get all of this done myself, impress my boss, and be a champion.
I don't count on the involvement of the other middle manager in the office. Let's call her MM.
MM is hyper organized. It's her thing. And she's a nice lady, personally (aren't all the evil bosses nice people outside of work matters?). But she is organized to a fault, way past the border of OCD. And I'm about to feel her wrath.
Leaving my project for lunch, I return to find that she has taken over my collating piles, reorganized them, and is now telling me what to do down to the last detail. I can't go to my boss for advice because she isn't back until Monday. Nor can I protest, partly because it's insubordination and I have two weeks left on my technical probation, and because she is offering me critical help.
The workforce has this phenomenon that I can't quite name, in which there's no practical reason why you should be unhappy for some policy, someone's help, someone's directives, but where there's something wrong where you can't put your finger on what it is. And for me, I realize that MM has taken away my bragging rights for getting the project done myself.
More than that, I also know that if there are any discrepancies, my boss will blame me for it.
Worse yet, MM is altering my original directives given to me by my boss, and I am working on complete faith that this is what my boss really wants.
MM issues one last reorganizing directive that, if I am to complete, requires me to stay late to ensure completion of the project, then leaves. By this point, I am demotivated, stressed, and despairing, because my boss already has me on the hook for schedule issues.

I am damned if I do, damned if I don't. If I leave on time, the project will not be finished, and I will hear about it Monday. If I stay late, I will hear about it on Monday. I decide to stay late, sending Boss an email explaining the situation.
As I finish the set-up though, it dawns on me: nothing I ever do will impress my boss. Her management style is the old school one in which the only feedback you receive is when you do something wrong.
I am an intelligent human being doing peon work, and being treated accordingly. I have no upward momentum, and nowhere else to go. But I'm forced to stay because I need money.
In the stressed out, demoralized atmosphere of my mind, the usual levvies that allow me to separate home issues from work start to crack. As I finish up my email and start for home, the leaks get bigger. More chunks fall out from the levvies and the fluids begin to gush and mix together.
I am single and divorced and alone and lonely. Everyone is in a relationship but me.
I am an intelligent, university-educated Arts major doing work that I am overqualified for and bored by, but that I need in order to pay my bills.
I am trying to please a boss for whom nothing will be good enough.
Everyone else is living what I want to have: love, and sex and babies and houses and success.
And I am 30 years old and one week and nowhere near where I thought I would be in life.
These elements swirl together, gathering momentum, and create a perfect storm in my mind that only breaks when I get home.
The manic energy spikes....then, ultimately....CRASH!
But then, it's over.
The comparison between the end of a nervous breakdown and a storm is apt. The stillness and sheer awareness is the same, the feeling of energies dissipated, of a mess that's left behind now requiring clean-up. Silence.
I get up from the couch, now in the dark. I look around. The place is a mess. But I feel better, if not a little puffy and stuffed up. I make a few phone calls, talk to a few people who have seen my updates and are worried about me. The first glimmerings of gratitude and light appear: I am lucky to have the people that I do, people who care about me. Who love me, even when I can't understand why they do.
I sit for a while, idly browsing the web, start to put a few things away here and there, but otherwise, not doing much else. The storm's passed.

Flashforward: The Weekend
I feel relieved to have these feelings out. The weekend is here.
Saturday, I pack up half my closet, clean myself up and head to Toronto for pictures. There, I'll visit an actual celebrity photographer in a real artsy loft, the kind I've only seen on TV. He is friendly and delightful and makes me feel right at home. I'll chat with a make-up artist who's worked with the big stars all over the world as he gets me ready for my head shots. He'll tell me that he's been doing work for over twelve years, and that he has confidence that I will get lots of work. As I leave, he wishes me well and says, "See you on TV."

I drive home through Toronto's busy Distillery and then through the Entertainment District. I feel the energy of a city I have always loved to visit, and may be seeing more of soon.
Afterwards, I'll have a belated birthday party afterwards with some of the people I care about most in the world willing to buy me drinks and laugh with me.
Sunday's sunny and warm: perfect hangover weather for walking and doing nothing, enjoying the sun and breeze. That morning, Rick will have crashed at my place and I'll drive him to work at the bookstore where I've applied for seasonal work. After browsing some books, I'll decide to take a ballroom dance class starting in January. The school is within walking distance of home, and they say partners are not necessary for the group lessons.

I'll spend much of the day giving my brain a rest, nursing a slight hangover, indulging in just sitting under a tree, walking through grass, looking at clouds that remind us of the infinite vastness of sky and the wind-chopped waters of an inland sea that leads to the ocean.
I'll meet with my baseball team for our last beer call together. I don't know it on Friday, but I'll win Rookie of the Year from my coach Julius, another good friend I'm lucky to have. Tuesday, I start floor hockey again.
At that same gathering, I'll buy a stag and doe ticket for November, another opportunity to have fun and meet new people, possibly someone who'll be special. Another whim decision, unexpected, and new, like my decision to work in talent. A psychic told me this summer that the next special girl I meet would be at an unexpected party in the winter. Could this be it? We'll see. I tend not to believe most self-proclaimed psychics, so I'm not going to expect anything. But I can hope.
The day will end with this blog entry. Tomorrow I return to work, and whatever trouble I may find myself getting in, if at all, despite my best efforts. But I'm not going to spin my wheels anymore for no reward. I will do what's required, focus with all my best, and then walk at the bell. Become what we all expect of a typical government worker.
I'll be living with my 30s for the next ten years, so I'll have to get used to it. It'll take time, but what else can you do? 30's typically a difficult year for most people in those unexpected ways. This is just my time to deal with it.
And as my friend Rick has been telling me for a while, I just have to be patient that I'll find someone, and find something to do to enjoy my time in the meantime. If I'm in the flow of experiences I enjoy, I won't need to worry about the interpersonal dynamics of approaching girls or not approaching them: we'll meet each other halfway. And it won't feel like work.

Nervous breakdowns happen to everyone, even me. Not often, but this one was a long time coming, and now that it's passed, I still feel that calm that follows. It won't last, of course - nothing lasts - but at least for now, I can just sleep the sleep of the tired and the lucky.
It's unrealistic to feel grateful and joyous all the time, but at least I can be conscious of the stormy days, be aware of things as they happen, and try to get through them with a minimum of damage to self, surroundings, and reputation. The contrast of pleasure and pain makes life.
This breakdown cleared the air. Eventually, I'll be grateful for it, but in the meantime, I'm happy with just not being ashamed of it.
9:40pm as I write this sentence.
I now go to bed and sleep, turning out the lights on an apartment that's clean once again.
Let's see what the neighbour chick's got in store tonight.
Previously, on Dispatches from the Alternate Universe:
"I sit up in bed in a state of pure awareness, not completely sure what I am hearing. Then my brain reconciles the sound. Heavy breathing. Two people. My neighbours are having sex at 5:43am on the other side of that wall.....This is the last straw."
"I had asked my boss to leave an hour early on Wednesday. Typical arrangement requires me to make up the time I take. Tuesday, I showed up an hour early...Boss... that this arrangement wasn't what I thought it was, and that I likely came in early for nothing."
"5:54am. They haven't stopped at all. And I'm angry. Determined....I get out of bed and start my day, determined to stop letting life kick my ass. Determined to make a change...."
***
Thursday
Thursday begins well.
Spurred by the late night sexcapades of my nympho neighbour, I am set to get back in the vibe and be a productive individual. Today is the begininng of a special project that I am not allowed to talk about in detail, save that it's something that my boss has given me ownership of. I am ready to kick ass. And asses are kicked today.
I'm also excited for two other reasons. After work, I'm going shopping for clothes for a photo shoot I am doing on Saturday for my upcoming work in advertising and commercials. I am getting professional head shots done and this could be the start of a whole unexpected chapter in my life.
I'm also due to meet with my BFF - let's call him Dom to prevent undue and inadvertent libel, though I may have mentioned his real name here somewhere - for coffee afterwards. He has been travelling through Europe for the past three weeks, and I want to hear about how his trip went.
As I do my shopping, I can sense a manic energy running through my system. This isn't necesssarily a good thing, because I've felt this before, and it usually precedes a huge crash. No matter, I'm getting new shoes, new pants, a new blazer....all things I've needed to complete my wardrobe. They won't all get used, I know this, but at least it's done, and I'll be equipped for any type of event. Shopping can be a temporary salve during a state of life crisis.
I come home, head into my bedroom and drop off the stuff in my closet.
And I hear them again! It's 6:34pm. This time, she's really raunchy, and sort of a turn-on. My female BFF Alice suggests that I ask to join them, but that's not in the cards for me. I barely have enough courage to talk to a girl one on one for just me: a three-way (and a devil's three-way, at that) is out of the question.
Still, it's like a determination refresher that motivates me to go to the gym and experience the mother of all workouts (which I do).
I return, shower, change, and head out to meet Dom.
Dom's been there for me pretty much forever, but especially since the drama started with my breakup and divorce from my ex. As single men, we formed part of an endangered demographic in our circle of married and long-term-partnered friends, and as "nice guys", both of us are accustomed to the pitfalls and vicissitudes of post-school dating while not being a douchebag.
I go to the cafe a little early, and find out that my other friend - again, let's call him Rick for anonymity's sake - is working that night down the street and will come over to meet us when he's done. He's also recently left a relationship, but was starting something up with a girl at his job that was going somewhere. Rick, too, has been a loyal ally in this dangerous world of singledom, and though at the time, I simply treat this as a casual coffee with buddies with no overarching symbolism, it occurs to me afterwards that these are my wingmen.
Dom shows up, and it's good to see him again. His trip to Europe was kick-ass, and he's got an energy about him that's basically vintage Dom, except ramped up 15%.
And I rapidly find out why. He's now got a girlfriend that he met on the tour.
My face must have lit up like a Christmas tree! Awesome news! I mean, Dom's probably the greatest guy ever, and if there's anyone who deserves excellent karma for years of being true to himself, putting in his best all the time with the people around him, and looking for a relationship where he can be authentic in all ways, it's him. I am very excited for him, and wish him all the best!
Rick shows up, and we talk for a bit . Turns out, he too, is now off the market (well, at the time, sort of) and was deliberating on what to do next. We shoot the shit for a while and I go home at midnight.
Though it occurs to me at the meeting, it doesn't really hit me until I go to bed (now wary of ANY sound coming from the other room).
I am probably the only single man in my group of friends.
Still, as I drift off to sleep, I do fall back on my own New Age philosophical leanings. Things that happen in your life also have symbolic meaning, as well as literal.
My apartment, for example, is either clean or cluttered depending purely on my mental state. I'm quite direct in my symbolism - for others, a clean apartment is a sign they're avoiding dealing with other issues, whereas for me it's a sign that I am bringing my surroundings into alignment with my calm and organized mindset at the time - and so I realize something that, in my lingering mania, gives me hope.
Sex is happening three feet away from me. My best friends are now experiencing either the start of new love or are seeing opportunities for love right before them. The universe is surrounding me with the very experiences I wish to have, have been looking to have again for many long months now. It's only a matter of time before it's my turn. Not much longer to wait.
On that thought, I fall asleep. And yet, outside, in the dark, my apartment is a complete mess.
Friday
If I'd known how the day was going to end, I would have probably slept in a little later. For the first time in two days, no sex from the other side of the wall. Good.
I get to work, and today's the day that I am to finish up my project and get the arrangements made. Part of this project involves collating a significantly large number of documents that, in turn, require organizing. I figure I can get all of this done myself, impress my boss, and be a champion.
I don't count on the involvement of the other middle manager in the office. Let's call her MM.
MM is hyper organized. It's her thing. And she's a nice lady, personally (aren't all the evil bosses nice people outside of work matters?). But she is organized to a fault, way past the border of OCD. And I'm about to feel her wrath.
Leaving my project for lunch, I return to find that she has taken over my collating piles, reorganized them, and is now telling me what to do down to the last detail. I can't go to my boss for advice because she isn't back until Monday. Nor can I protest, partly because it's insubordination and I have two weeks left on my technical probation, and because she is offering me critical help.
The workforce has this phenomenon that I can't quite name, in which there's no practical reason why you should be unhappy for some policy, someone's help, someone's directives, but where there's something wrong where you can't put your finger on what it is. And for me, I realize that MM has taken away my bragging rights for getting the project done myself.
More than that, I also know that if there are any discrepancies, my boss will blame me for it.
Worse yet, MM is altering my original directives given to me by my boss, and I am working on complete faith that this is what my boss really wants.
MM issues one last reorganizing directive that, if I am to complete, requires me to stay late to ensure completion of the project, then leaves. By this point, I am demotivated, stressed, and despairing, because my boss already has me on the hook for schedule issues.

I am damned if I do, damned if I don't. If I leave on time, the project will not be finished, and I will hear about it Monday. If I stay late, I will hear about it on Monday. I decide to stay late, sending Boss an email explaining the situation.
As I finish the set-up though, it dawns on me: nothing I ever do will impress my boss. Her management style is the old school one in which the only feedback you receive is when you do something wrong.
I am an intelligent human being doing peon work, and being treated accordingly. I have no upward momentum, and nowhere else to go. But I'm forced to stay because I need money.
In the stressed out, demoralized atmosphere of my mind, the usual levvies that allow me to separate home issues from work start to crack. As I finish up my email and start for home, the leaks get bigger. More chunks fall out from the levvies and the fluids begin to gush and mix together.
I am single and divorced and alone and lonely. Everyone is in a relationship but me.
I am an intelligent, university-educated Arts major doing work that I am overqualified for and bored by, but that I need in order to pay my bills.
I am trying to please a boss for whom nothing will be good enough.
Everyone else is living what I want to have: love, and sex and babies and houses and success.
And I am 30 years old and one week and nowhere near where I thought I would be in life.
These elements swirl together, gathering momentum, and create a perfect storm in my mind that only breaks when I get home.
The manic energy spikes....then, ultimately....CRASH!
I get into my apartment and just lose it. When Jody has a nervous breakdown, it becomes rather epic. Status updates abound. Text messages fly. I call everyone to vent. I allow myself to cry, a behaviour which I've internalized as not being "manly", which I don't even do on my own half the time, but which is just too much to repress any longer. I lose my typical cheer and optimism and become all about the cloud, not the lining.
For about two hours on Friday night, I alternate my time between venting out the strain, scaring the shit out of my friends and family who mistake the venting for my imminent demise, and just completely losing my shit. Like most violent storms, though, it's over with quickly, but while it's falling, it's intense and dramatic and scary.
For about two hours on Friday night, I alternate my time between venting out the strain, scaring the shit out of my friends and family who mistake the venting for my imminent demise, and just completely losing my shit. Like most violent storms, though, it's over with quickly, but while it's falling, it's intense and dramatic and scary.
But then, it's over.
The comparison between the end of a nervous breakdown and a storm is apt. The stillness and sheer awareness is the same, the feeling of energies dissipated, of a mess that's left behind now requiring clean-up. Silence.
I get up from the couch, now in the dark. I look around. The place is a mess. But I feel better, if not a little puffy and stuffed up. I make a few phone calls, talk to a few people who have seen my updates and are worried about me. The first glimmerings of gratitude and light appear: I am lucky to have the people that I do, people who care about me. Who love me, even when I can't understand why they do.
I sit for a while, idly browsing the web, start to put a few things away here and there, but otherwise, not doing much else. The storm's passed.
Flashforward: The Weekend
I feel relieved to have these feelings out. The weekend is here.
Saturday, I pack up half my closet, clean myself up and head to Toronto for pictures. There, I'll visit an actual celebrity photographer in a real artsy loft, the kind I've only seen on TV. He is friendly and delightful and makes me feel right at home. I'll chat with a make-up artist who's worked with the big stars all over the world as he gets me ready for my head shots. He'll tell me that he's been doing work for over twelve years, and that he has confidence that I will get lots of work. As I leave, he wishes me well and says, "See you on TV."
I drive home through Toronto's busy Distillery and then through the Entertainment District. I feel the energy of a city I have always loved to visit, and may be seeing more of soon.
Afterwards, I'll have a belated birthday party afterwards with some of the people I care about most in the world willing to buy me drinks and laugh with me.
Sunday's sunny and warm: perfect hangover weather for walking and doing nothing, enjoying the sun and breeze. That morning, Rick will have crashed at my place and I'll drive him to work at the bookstore where I've applied for seasonal work. After browsing some books, I'll decide to take a ballroom dance class starting in January. The school is within walking distance of home, and they say partners are not necessary for the group lessons.
I'll spend much of the day giving my brain a rest, nursing a slight hangover, indulging in just sitting under a tree, walking through grass, looking at clouds that remind us of the infinite vastness of sky and the wind-chopped waters of an inland sea that leads to the ocean.
I'll meet with my baseball team for our last beer call together. I don't know it on Friday, but I'll win Rookie of the Year from my coach Julius, another good friend I'm lucky to have. Tuesday, I start floor hockey again.
At that same gathering, I'll buy a stag and doe ticket for November, another opportunity to have fun and meet new people, possibly someone who'll be special. Another whim decision, unexpected, and new, like my decision to work in talent. A psychic told me this summer that the next special girl I meet would be at an unexpected party in the winter. Could this be it? We'll see. I tend not to believe most self-proclaimed psychics, so I'm not going to expect anything. But I can hope.
The day will end with this blog entry. Tomorrow I return to work, and whatever trouble I may find myself getting in, if at all, despite my best efforts. But I'm not going to spin my wheels anymore for no reward. I will do what's required, focus with all my best, and then walk at the bell. Become what we all expect of a typical government worker.
I'll be living with my 30s for the next ten years, so I'll have to get used to it. It'll take time, but what else can you do? 30's typically a difficult year for most people in those unexpected ways. This is just my time to deal with it.
And as my friend Rick has been telling me for a while, I just have to be patient that I'll find someone, and find something to do to enjoy my time in the meantime. If I'm in the flow of experiences I enjoy, I won't need to worry about the interpersonal dynamics of approaching girls or not approaching them: we'll meet each other halfway. And it won't feel like work.
Nervous breakdowns happen to everyone, even me. Not often, but this one was a long time coming, and now that it's passed, I still feel that calm that follows. It won't last, of course - nothing lasts - but at least for now, I can just sleep the sleep of the tired and the lucky.
It's unrealistic to feel grateful and joyous all the time, but at least I can be conscious of the stormy days, be aware of things as they happen, and try to get through them with a minimum of damage to self, surroundings, and reputation. The contrast of pleasure and pain makes life.
This breakdown cleared the air. Eventually, I'll be grateful for it, but in the meantime, I'm happy with just not being ashamed of it.
9:40pm as I write this sentence.
I now go to bed and sleep, turning out the lights on an apartment that's clean once again.
Let's see what the neighbour chick's got in store tonight.
Saturday, October 16, 2010
My Nervous Breakdown, Pt 1
(Preface: this is very closely related to Allie Brosh's the Sneaky Hate Spiral. Click here to read before continuing if you haven't already. If not, I bid you continue)
5:43am.
That's what the BlackBerry screen says. 5:43am. My alarm's not set to go off for another hour or so. I was dreaming deeply, of markets and sunsets in faraway places.
So why am I up?
Then I hear it. Muffled, intermittent, human. Heavy, from behind the concrete wall that my bed backs onto.
I sit up in bed in a state of pure awareness, not completely sure what I am hearing. Then my brain reconciles the sound. Heavy breathing. Two people.
My neighbours are having sex at 5:43am on the other side of that wall.
Three feet of concrete separates me from their hot and heavy, yet somehow I can hear it.
This is the last straw.
Flashback to Tuesday
The first work day back from the Thanksgiving weekend began poorly.
The preceding week, I had asked my boss to leave an hour early on Wednesday, before my two day vacation, then Thanksgiving weekend.. Typical arrangement requires me to make up the time I take. I had offered to make up the time before Wednesday, but my boss advised me that she prefers I "do it afterwards". I interpreted this to mean that my very next shift I am to show up early. This has been the process at other workplaces I've been at. Of course, this thinking made an ass out of you and me (mostly me)....
I checked the time. 7:36am. Not bad, boss isn't usually in for a while yet. I suddenly remembered the phone number for security, called the guard, identified myself, and asked him to come up and unlock the door. He did so, and I gained access to my office.
Boss was not in, so to give her some proof that I did my best to be in an hour early, I sent her an email (those are time-stamped, right?). 45 minutes made up, will make up the other 15 somehow later.
Boss never came in. In meetings out of the office all week. But she was checking her email. Two hours later, I got a reply. Essentially said that this arrangement wasn't what I thought it was, and that I likely came in early for nothing. I sighed heavily, rubbed my eyes, went on with my day, mostly conscious.
Nine hours later, I headed home. Around the afternoon, I developed a headache. Intense, like little lightning storms striking my skull. It developed for no reason whatsoever, as the rest of the day had gone well, but then it was followed by stomach queasiness and a general feeling of "what the fuck" flowing through my veins and nerve endings.
I'd had plans to go play floor hockey that night, but instead I came home and lay down, napped for a good two hours. Though I would eventually get up and get the wherewithall to go to the gym and do mild cardio, my evening, for all intents and purposes, was shot. The headache and stomach sick vanished just as quickly as it appeared. I had no idea why.
Wednesday
Outside, an autumn rain, the equal and opposite of spring rain, fell in torrents, cold and bone chilling and dreary. It was the dreariness that got to me, the type of weather that not only soaks your clothes but gets into your heart and pools, weighing it down. My friends a city away from me, most of them, no girlfriend or wife to go home to, I felt sad. True to my bilingual status, all I could think was "le sigh".
This was a thirtysomething Wednesday, my first, and it was boring and sad. The kind when you only think about lost baseball games and Fs on report cards and missed opportunities. Where you dwell on wrong turns taken in the road that led you here.
Was this all there was? We go through childhood and school dreaming about what we would be when we grew up, and I was none of the things I had dreamed about. Not an astronaut, not a fighter pilot, not a police detective, not a cartoonist, nor a professor. An author, sure, but not successful in the financial and commercial sense, not yet. A career in limbo then, working at a low level minion job where I am viewed as a peon - essential to operations, but not someone to be appreciated or thanked - to pay the bills until that success happens.
The mood didn't get much better as I talked to Mom on the phone, laying out all the reasons for why my life wasn't going the way I wanted to. "I like what you wrote in your blog," she said, "but I also know what you say to me when we talk about the same things. You're trying to convince yourself as much as you are others when you do your motivational entries."
Mom's where I derive much of my crazy, I think, my different way of thinking about things. And she hit the nail on the head, though I answered that even if I am doing this to convince myself of what I should be thinking, if it helps someone else deal with their shit, it benefits both of us.
But that night, I just felt generally stuck. Making enough money at my job for food and shelter, but not enough for plane tickets, night school classes, or dance lessons: places and experiences where I could potentially meet Miss Right and thus restore my life to the normal function it had for over a decade. I am no good single. No one appreciates me at work, and I have no one at home to give validation that I matter as a human being, that I matter to someone else.
I'm also far more intelligent than the work I do, having passed up management jobs here and there throughout my twenties because, well, I've never seen any industry, any economic activity that I could devote 100% of my passion to. Nothing about the management lifestyle lights me up except for the cash, which I'd gladly accept if I didn't have any responsibility. I hadn't, however, factored in the hit that my self esteem would take by doing minion work when I'm way more evolved than most minions.
And, of course, the 30 thing, which I realized was wishful thinking on my part to regard it as just another day.
This was the mindset I was in on Wednesday night. I went to the gym, came back, washed up, and went to bed, alone...again.
As I tried to sleep through the mania that was keeping me up, I wondered why it was so hard to meet women my age.
Myth#1 of all frustrated single "nice" guys like me is that there aren't women around. Not true, I see them everywhere. The thing is just approaching them.
Do women really like being approached by guys? I can't get a satisfactory, absolute answer to this question. I've always thought it was borderline creepy to just walk up to a random girl and say "Hi". But apparently, that's the way to go. I meditated on the paradoxes of dating: that girls will claim to want "nice guys" but will be turned on by assholes who will hurt them later; that if you go up to a girl with a plan, she'll deride your "agenda", but if you just flat out tell her you're interested with no games, she'll find you boring.
More excerpts from a book I've quoted here before by Lori Gottlieb called Marry Him in which all the fortysomething singles increasingly pine for the "nice guys" they weren't attracted to in their quarter life years, guys who are now married to the women who were saavy enough to lock them down when the getting was good. Meditated on where those women were at this moment.
More contemplation: why is it so easy for almost every other guy I know to just approach a girl? Why is it I can give speeches to crowds of dozens, raise the roof, flirt with cashiers and baristas, make friends with strangers, but I freeze when I see a girl at a bar I'm interested in seeing romantically? This comes naturally to almost 90% of men out there. I'm having to learn it from books.
I contemplate entering the priesthood to simply remove the dating option from Jody's palette of options. Not Roman Catholic. Maybe Shaolin. I'll know kung fu.
Oh, and the fact that I've been an Aberdonian version of what Barney Stinson calls "The Sexless Innkeeper" for nearly a year, after having lived a decade of my prime years where access to sex wasn't in question. That was about the last thought I had before finally drifting off.
Around 1:45am or so, I finally fell asleep.
I'd only seen the girl next door once.
Blonde, twenty five or twenty six, decent shape, somewhat nice, but like all other quarter-lifers, not terribly sociable, no small talk kind of thing. Small talk and walking up to people to say hi is the domain of the older generation. We said awkward hellos, took the elevator down to the parking garage, said goodbye, and that's it. No other communication.
Until I hear her having loud sex on the other side of my bedroom wall with a boyfriend she had acquired. And that communication is not only one-way, but unintentional.
5:54am. They haven't stopped at all. And I'm angry. Determined.
This is the closest I have physically been to that kind of energy in a long time. It seems that the good things in life that I'm looking for are happening all around me, but not to me directly. The universe is determined to screw with my life with its pernacious sense of humour.
Sexless Inkeeper my ass.
Time to stop feeling pathetic and alone. Time to man up and head out there, stop being sad,and be awesome instead. If life isn't going to give me what I want, then it's time to go out and take it!
Time to stop feeling pathetic and alone. Time to man up and head out there, stop being sad,and be awesome instead. If life isn't going to give me what I want, then it's time to go out and take it!
I get out of bed and start my day, determined to stop letting life kick my ass. Determined to make a change....
(To Be Continued....)
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